Showing posts with label Writing Tips. Show all posts
Showing posts with label Writing Tips. Show all posts

Wednesday, March 20, 2019

Develop Your Story by Beginning with Character Backstory

As a character-driven novelist, I find it thrilling to discover my characters before I write their stories. I can get to know their hearts and their histories before I allow them to walk onto the page. Doing this not only enables me to present well-rounded characters to my readers, but it also helps me to develop the entire course of the story as well.



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Think about it: In real life, our past determines our present. The choices we made yesterday have brought us to where we are today. So how can we, as authors, expect to authentically slip into the shoes of our characters if we aren't first aware of why they are the way they are today? How can we expect to write in deep POV if we don't first allow ourselves to delve into our character's history? 


This is why, when I approach a new book, I like to first begin with backstory. Not only does this allow me to present flesh-and-blood characters to my readers, but it also helps me steer the entire course of our story.


In my first episode of The Firsts in Fiction Podcasts (an absolute favorite writing-craft podcast of mine, which I have recently joined as co-host--yay!), we've shared tips on how you, too, can develop your story by first beginning with backstory. Check out the video below! 








Main points:


  • When we discover the history, then we can craft well-rounded, authentic characters.
  • Our character's past influences his/her worldview, attitude, religion, personality, etc. Characters are who they are because of the decisions they made yesterday--just like all humans. 
  • It's important for writers to understand the backstory between character relationships as well--relationships with humans, as well as with the story's setting(s). 
  • When we understand their yesterdays, then we can understand the "whys" of their today. This can then shape a character's internal struggles, goals, inner needs, and flaws, which can influence the external journey of the plot. Our characters' pasts might come into play as they walk through the course of the story.



What are your favorite ways to discover your characters' backstories? Do you brainstorm backstory first, or do you discover it as you write? Let me know in the comments! (And don't forget to give the video a thumbs up if you liked it!)




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Wednesday, September 26, 2018

How to Effectively Sell Your Book to an Agent: What to Do, What to Avoid




I recently stopped by a virtual writer's conference, Inkling to Write, and shared insight on how to effectively sell your book to an agent. If you want to hear my tips and tricks -- secrets I've shared at conferences across the country -- feel free to check the post out by clicking here! (And yes, this virtual conference is free to attend.) ;)   




Wednesday, June 27, 2018

Quick Tips: 12 Ways to Increase Chances of Publication in Today's Industry

Several years ago, I witnessed someone who had returned from her first writing conference--and when she was asked how it went, she responded, "I basically learned that it's impossible to be published."  


Now, I've technically only been in the industry for eight years; however, I know it's not impossible to be published. And not just because I'm published myself. 



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Is the competition tougher today than it used to be? Absolutely. But we have an advantage today that writers of the past didn't have. And yet, I still come across writers who are discouraged at the state of the industry. Writers who are so busy focusing on the unlikelihood of publication that they fail to notice the opened doors and possibilities. 


No, publication doesn't have to be an impossible feat. It doesn't have to remain a far-off dream. In fact, the decision is yours. You have an opportunity to take steps that will cause your submission to rise to the top of a slush pile. Thanks to the recent changes in the publishing industry, you can now take steps that will help you be discovered. 


Is publication an overnight journey? Not exactly. It might take longer than you'd like. But it is possible--and the journey is worth it for those who are willing to go the extra mile. 


Here are 10 ways to increase chances of publication in today's industry...

  1. Write the book to the best of your ability. Yes, this requires self-editing, having the manuscript reviewed by critique partners/beta readers, and perhaps hiring a self-editor. 
  2. Know your market. Is your book going to sell? How does it fit in and still bring something new to the table? 
  3. Stick by your genre standards and expectations. What do readers of your genre expect from your book? What do agents and publishers expect? What is the typical word count? All of the answers to these questions can be found by research. 
  4. Enter your book into contests. By doing this, you might have your book evaluated by an agent/editor. And if you place in a contest then you could add this to your list of credentials.
  5. Attend writing conferences. Pitch to editors and agents in person and glean from their expertise by taking their classes. Most of the clients I've signed at Hartline are writers I first met at a conference. 
  6. Seek publication through other avenues. What magazines could you submit to? Not only does a published article look good on your list of credentials, but it may also help you expand your platform. 
  7. Become a master at the writing craft. Study books on the craft and books within your genre (and outside of your genre). Soak up as much as possible. Apply techniques to your writing. Learn the rules, then know when to artistically break them. 
  8. Establish a platform. This doesn't mean you should hold off on submitting to agents until you reach 5000 followers. Platforms are always going to be a work-in-progress. As an agent, I like to see writers who are actively working to engage with their target audience and making efforts toward growing their platform. What kind of online presence do you have, and are you consistent in providing content for your target audience? Do you have a mailing list?
  9. Brand yourself, and stick with this brand on your website/blog and social media presence. What sets you apart from other writers in your genre? What can readers expect from your books? What kind of content can they expect from you on social media?
  10. Follow submission rules and guidelines. Remain professional. Don't assume you're an exception to the rules.
  11. Set up a website or blog. You don't have to create a fancy website; in fact, a free Wordpress or Blogger site is fine for now. When a writer doesn't have an established online homebase, it makes me wonder if they understand how to connect with today's readers. A website is a great place to establish your brand, introduce yourself to potential readers and agents/editors, and invite people to connect with you on social media and through your mailing list. 
  12. Keep going. Keep writing more books. Keep reading. Keep building your platform. Keep learning. Keep growing. 

What tips would you add to this list? Which one on this list is the most difficult for you to apply and why? Let me know in the comments!



Tweetable:


Quick Tips: 12 Ways to Increase Chances of Publication in Today's Industry https://bit.ly/2yRw0RQ @TessaEmilyHall #pubtips #publishing




Wednesday, June 13, 2018

Drive a Story Forward by Following These 5 Steps

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I wrote the first version of my debut novel, PURPLE MOON, when I was fifteen years old—and at the time, I wrote the story for fun. For my eyes only. Because of that, I didn’t have much of a plan in place for the plot. When the story was complete, I had a best-selling author review the manuscript—and although she complimented my writing, she told me the plot was lacking. My main character needed a goal.


It was the first time I’d heard of such a thing. Why did Selena need a goal?




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Drive a Story Forward by Following These 5 Steps https://bit.ly/2JFfo0o #writingtips #amwriting @TessaEmilyHall


Wednesday, June 6, 2018

Create a Marketing Plan That Works For You—Free Template Download!

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Many authors are intimidated by the idea of marketing their book. What’s the purpose of marketing if it cuts into precious writing time?


The reason this is important is because, without marketing, the book that you devoted hours into will fail to sell. It’s your responsibility, as the author, to make your book visible by your target readers. So where can you begin—especially if you have zero marketing experience?


I’ve created this marketing template that will walk you through, step-by-step, the process of building a marketing plan that works for you. You can download the template for free by clicking here!


Tweetable:


Create a Marketing Plan That Works For You—Free Template Download! #marketing #writerslife @TessaEmilyHall https://bit.ly/2sH2PKI



Wednesday, May 16, 2018

Blog Tour - "Porch Swing Girl" by Taylor Bennett (Teen Author!): Inspiration: Chase it, Find it, CAPTURE IT!

Today I have the incredible pleasure of welcoming teen author, Taylor Bennett, to my blog as a part of her blog tour! Taylor's debut YA Christian fiction novel, PORCH SWING GIRL, recently released with Mountain Brook Ink. I'm so enthused about this -- not only because Taylor is a fabulous teen author, but also because of this story. I haven't finished reading this yet, but I can already tell that this will book will be on the shelf of my favorites. (Fans of inspirational contemporary YA fiction, you do not want to miss this!)

See below to learn more about the book, the author, and hear her advice for writers!




About the Book:







What if friendship cost you everything? Stranded in Hawaii after the death of her mother, sixteen-year-old Olive Galloway is desperate to escape. She has to get back to Boston before her dad loses all common sense and sells the family house. But plane tickets cost money—something Olive gravely lacks.

With the help of Brander, the fussy youth group worship leader, and Jazz, a mysterious girl with a passion for all things Hawaiian, Olive lands a summer job at the Shave Ice Shack and launches a scheme to buy a plane ticket home before the end of the summer.

But when Jazz reveals a painful secret, Olive’s plans are challenged. Jazz needs money. A lot of it. Olive and Brander are determined to help their friend but, when their fundraising efforts are thwarted, Olive is caught in the middle. To help Jazz means giving up her ticket home. And time is running out. You want to write. Your fingers itch to grasp a pen, hug a pencil, dance across a laptop keyboard. You have words swirling in your brain, begging to be written—to be shared with the world.





So you sit down, put pen to paper (or fingers to keyboard), and you…

BLANK.

You stare down at that page and the words disappear. You grasp at empty nothingness and try to catch a few—just a few—and put them down on paper. But…

BLANK.

The empty page stares at you, mocking you. Laughing, even!

“You’re not a real writer,” it hisses. “REAL writers know what to write. REAL writers know how to write. You’re just a…”

Wait!! Don’t let that empty piece of paper call you a fake. You have the passion and drive to be a real author. What you need, dear writer, is INSPIRATION.

But what do you do when your idea well is dry as a bone?

You most certainly do NOT give up—in fact, don’t even think about giving up. Don’t let that empty page get in your head, don’t let that nasty internal editor keep you from writing. Don’t let procrastination rule the day.

No, instead, capture that spark—that tiny bit of inspiration, so small you barely know it’s there. Not sure how to do that? Don’t worry. I’ll help you.

To capture that inspiration, first you have to…

Chase it

First, make a list of what inspires you—don’t know where to start? Here are a few examples:

  • Listening to your favorite music—or something brand new
  • Browsing through a used bookstore and flipping through old books
  • Sipping coffee (or tea!) and watching the rain fall outside
  • Taking a walk on a deserted country road or through a bustling park
  • People-watching at a busy place like the mall, where you can observe many different kinds of people
  • Talking to someone interesting—your grandpa, who traveled the world when he was in the military; your mom, who teaches classes at the college; your little sister, who is convinced that unicorns are real

Find it

Now, go out and do one of those inspiration-sparking activities. For example, let’s say that you’re curled up in your favorite chair, sipping your favorite warm drink. Turn on some music (instrumental works best) and let your mind wander. Sometimes (and maybe I’m a little weird, I don’t know) I imagine myself as a character in a future book. I listen to the music and imagine it as a soundtrack to a movie. If it was a movie soundtrack, what would be happening on the screen?

Or if you choose to go people-watching instead, you might do something similar. Instead of imagining a story to go along with the music, you’ll be privy to thousands of stories, all unfolding in front of you. Maybe a young couple catches your eye, or a group of three friends. Perhaps your gaze is drawn to the pensive, thoughtful young lady behind the counter at the pretzel shop…you get the picture. Pick a person or two and imagine them as a fictional character—what might be going on in their life that would explain their actions?

The most important thing to keep in mind during this stage is that, no matter what you do, you need to ask questions—the WWWWWH method works well (who, what, when, where, why, how?) but don’t be afraid to dig deeper. Brainstorm a character’s backstory, as well as where they’ll be by the end of the story. Just make sure you keep questioning—and answering—until you have the first seed of an idea.


Capture it

Now that you have that story seed—that first spark of an idea—it’s time to get it down on paper. Quick, before you forget! There are several ways to go about this. You could…

  • Write a quick chapter one—use those questions you asked earlier to build a chapter full of unanswered questions and unexplored plot points. YOU might not even know the answer to those questions, but the simple act of writing them out in story form might be just what you need to discover which ones you’d most like to explore.
  • Scrawl out a list of scenes you imagine taking place in your book. Don’t worry about plot holes or going in chronological order—just get your ideas down on paper. Later, you can go back and organize them in a more formulaic three-act structure.
  • Freewrite—don’t necessarily write Chapter One, just pick up your pencil (or crack open your laptop) and start writing. Chat with your potential main character, write an exchange between two side characters—anything goes!
  • Make a Pinterest board. This is something I do for every one of my ideas, and it’s a great way to learn more about your characters and setting. As you search for images that reflect your story idea, keep asking those questions—when you’re done, you’ll have a board with pictures of characters, locations, and important objects, plus a better understanding of your story idea.
  • Talk to someone—sometimes the simple act of explaining your idea out loud will help cement it in your mind. Plus, if you find the right person to listen, they might even have a few ideas to offer. Brainstorming with another person is always a great way to capture that inspiration.

And…there you have it. Maybe there are a few ideas that will help spark your inspiration—and maybe not. Our brains are all different, and they all work in different ways. Just because these tips and tricks have helped me in the past, that doesn’t mean they’ll necessarily work for you. One of the most important things to remember while plotting and brainstorming is that what works for others might not necessarily work for you. And that’s fine. As you grow as a writer, you’ll develop your own system for finding, chasing, and capturing inspiration.


Have you already started to develop that system? If so, how do you hunt it down? I’d love to hear about your process in the comments!




About the Author:









Homeschooled since kindergarten, Taylor Bennett is the seventeen-year-old author of Porch Swing Girl, which will be released by Mountain Brook Ink on May 1st. When she’s not reading or writing, Taylor can be found playing her violin or taking walks in the beautiful Oregon countryside. She loves to connect with readers via her author website, as well as Facebook, Twitter, Instagram (her favorite!), Pinterest, and Goodreads.



Connect with Taylor:




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Blog Tour - "Porch Swing Girl" by Taylor Bennett (Teen Author!): Inspiration: Chase it, Find it, CAPTURE IT! @TessaEmilyHall #amwriting https://bit.ly/2Kg74US




Wednesday, May 9, 2018

Where Do We Find Our Identity As a Writer?

“Writer” has been attached to my name for as far back as I can remember. Writing is how I spent my free time as a kid. English is the subject I excelled in growing up. Every teacher I had in elementary school knew I was a “writer” and that I aspired to become an author some day.


Maybe you, too, have been known as the “writer” in your family, amongst your friends, and/or in school. Perhaps “become an author” is a dream that’s been etched onto your heart for as long as you can remember as well.





When we’re accustomed to viewing ourselves as a writer—when we’re comfortable hiding behind this identity—it can hurt when others question this identity. When others doubt our ability or stomp on our dreams. When we receive a harsh critique or a rejection that makes us question whether we truly are a writer—or simply a wannabe. Someone who has a big imagination and far-fetched dreams.


Where should we turn when our identity as a writer is threatened? How can we find the confidence we need to hold our heads high and continue trekking along our writing paths—even when we stumble upon doubts, insecurity, and rejections?


We can start by reminding ourselves of these 3 things:


1. Our identity is not attached to our writer status.


Whether you’re published, unpublished, a bestseller, award-winning—whatever your writer status looks like, keep in mind that this is not who you are. Sure, it might be a passion. A dream. An achievement. But this is just one aspect of your life.


We’re not defined by our achievements or lack thereof. We’re not defined by our careers.


I think this is one reason why some writers often become destroyed when they receive negative feedback on their work—because they take it as if it were an assault to their identity. Thankfully, as Christians, we can find freedom through discovering our identity as a Child of the Most High. Our confidence is built when we can see ourselves through the eyes of Christ. When this becomes our identity, then we’ll be less tempted to fall apart if and when someone questions our ability to write.


2. People don’t have the authority to remove the calling God has placed on our lives.


Why have we been given this calling to write? So we can bless others through the gift of words. That’s always the intention God has behind giving gifts to His children—so we can use them to further His Kingdom and delve into greater intimacy with Him.


However, the enemy doesn’t want this to happen. His intention, on the other hand, is to thwart our attempts to pursue our callings. Why? Well, think about it: If we don’t believe in ourselves as a writer, then we won’t have the confidence we need to finish our books. And if we don’t finish our books, they won’t get published. And if they don’t get published, then the people we could have impacted through this gift remain unreached.


Obviously, that’s good news to the enemy, right? His plan is to stomp God’s plans, so he’ll do everything he can to prevent our ministry from being furthered. He may use other people to cause us to question our ability to write—all in attempts to steer us off course.


Fortunately, we don’t have to fall for this trap. We can remind ourselves that our calling isn’t diminished when we receive a rejection or criticism.


Yet when we do begin to doubt this calling, let’s return to the moment when we first discovered the joy of writing. When we first felt the nudge to use our words as a ministry. And when others attempt to cause us to trip, let's find reassurance by replacing their lies with the truth of God's promises.


3. We’re not going to please everyone.


That should be a relief, shouldn’t it? Think about your favorite author. Sure, you might purchase every new book this author releases—but if you look at their book reviews, you might find the occasional one or two-starred review. I’m sure there are those who have questioned that author’s ability to write as well.


Not everyone is going to receive and respond to your writing the same way. So go ahead—take the pressure off of yourself to write a book that “everyone loves”. (This can result in perfectionist paralysis, anyway.)


Instead, when you approach your projects, I suggest keeping in mind those who will some day fall in love with your books—those who will be impacted by your words. But even more than that: Write for the One who gave you this gift to begin with. Because true fulfillment doesn’t lie in receiving the approval of everyone; it lies in pleasing only One. Our Father. That can be accomplished when we use our gifts for His glory.


So if you’ve been struggling with your identity as a writer lately, I’d encourage you to return to the moment when you first felt called to write. Forget about the critiques. The rejections. Even the positive feedback you’ve received from others.


Instead, allow yourself to be immersed in the creation of your story (or non-fiction project) as you write. Not just because you’re a writer and it’s what writers should do, but because it’s the gift you’ve been given. And gifts are meant to be received by the recipient with joy.


It's only then, when we fully embrace our role (not identity) as a writer, that we can step into the fullness of what He has in store and be the writer He wants us to become. And nothing, not even a one-star review, can take this role away from us!


~ ~ ~

Where do you find your identity as a writer? What helps when you begin to doubt your ability to write or calling as a writer?



Tweetable:


Where Do We Find Our Identity As a Writer? #writerslife @TessaEmilyHall https://bit.ly/2KITrhU





Wednesday, April 25, 2018

How to Beat Perfectionist Paralysis





Have you ever procrastinated working on your novel out of fear of making a mistake? I’ve found myself doing this several times throughout my writing journey. The crazy thing is, it’s not like I’m procrastinating a chore or activity that I dread. So why do I often delay producing creations that I’m passionate about? {Click here to continue reading at SoulfulInk.com}


Wednesday, April 18, 2018

5 Sources for Character Names - Guest Post by JPC Allen

Creating names for characters is the one writing task I always find enjoyable. I’ve been fascinated with names since I was a kid, pouring through baby name books to look up the meaning of my name and those of my family.



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If you have run out of inspiration for new names, check out the sources below. But remember The Golden Rule of Characters Names: It must be easy to sound out. I invented a Slavic-sounding last name, Stalvochek. Although it’s long, it’s easy to pronounce, “Stahl-voe-check”. But if I tried something like Tziwowicz, my readers would give up and skip over it every time it reared its ugly head.


1. Family History – If you have an amateur genealogist in your family, take a look at her work. My sister fills that role in our family and has uncovered relatives named Moses, Minerva, and Oral. Among the last names, she’s found Bonar, Righter, and Talkington.

If you are planning to write about a family that covers several generations, studying your family’s naming patterns can help you build realistic-sounding names. In my family, we use middle names to honor someone while first names are usually ones the parents just like. Five of my parents’ grandsons are named after grandfathers or great-grandfathers. My sister gave her daughter the middle name “Brooke” in memory of a college roommate.


2. Social Security Baby Names – With this site, you can search baby naming trends back to 1880. I wanted to use popular names for a wealthy family as a signal that they follow social norms and are boring. The father, born in the 1970’s, is Jason, a top-ten name from 1971-1983. His teenage son is Jacob, a name that soared in popularity around the turn of the millennium. This site does have one drawback. It doesn’t combine spelling variations. “Aiden” is much more popular than you would think from this site because parents spell it so many different ways, and each of those ways is listed separately.


The next three categories are aimed at writers of fantasy and science fiction. But contemporary writers might still find inspiration. Maybe you have a professor of Celtic mythology who named all her children after the gods in those myths.


3. Scientific names for animals – Get a field guide. Flipping through my husband’s book on birds, I find Calidris, Striatus, Thula. Asio, Strix, and Zenaida. Tyto Albo is the name for barn owls. It also sounds like a great name for the hero of an epic. If I change it to Tyta Albo or Alba Tyto, I have a heroine.


4. Mythology – A search through less well-known Greek, Roman, and Norse myths can provide names. I recommend dipping into mythologies that aren’t as well-known in America, like Celtic and Slavic. Just a few names I’ve found from Celtic and Slavic stories are Bres, Korrigan, Sadko, Morevna, and Caradoc.


5. Reverse and tinker with well-known names – I take a name like William and write it backwards, Mialliw. That’s unpronounceable. But if I take off the “iw”, I have Miall. Changing the “i” to “y”, I now have Myall, a name any English reader can sound out.




Where do you find inspiration for characters’ names? Let us know in the comments!


Tweetable:


5 Sources for Character Names https://bit.ly/2HAoJWX #writingtips #amwriting









JPC Allen chose initials for her pen name because she thought it had to be more memorable than “Jennifer”. She is a 2016 semi-finalist in the ACFW’s Genesis contest for her contemporary YA novel The Truth and Other Strangers. An English major and former children’s librarian, she loves to introduce tweens and teens to the adventure of writing through her workshops. She offers writing tips and prompts for beginning writers at JPCAllenWrites.com and Facebook.com/JPCAllenWrites. A lifelong Buckeye, JPC Allen has deep root in the Mountain State.



Wednesday, April 11, 2018

How to Write Effective Dialogue Tags – Part 2: Showing vs. Telling

Last week, we discussed why an issue arises when we use too many dialogue tags in our fiction. So how can us fiction writers write effective dialogue tags that 1) don’t distract readers from the scene, and 2) shows rather than tells?


It’s much easier to show how this is accomplished rather than tell you about it. (See what I did there?) ;)



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Here’s an example of what NOT to do:


“I don’t care!” he shouted angrily. “I want some ice cream.”


What’s wrong with this example?


The writer uses the adverb angrily to tell how he said the speech. Since adverbs almost always tell rather than show, they need to be omitted from manuscripts when possible.


Let’s rewrite this in a way that shows that the character said this “angrily”:


“I don’t care!” He yanked the lid off the ice cream tub and jammed a spoon into the nearly-frozen dessert. “I want some ice cream.”


Why does this work better?


For one, because the tag “he shouted” is unnecessary in this case. The exclamation point implies that he shouted this sentence. Also, do you notice how the action tag invites the reader deeper into a scene? The reader will pick up on the fact that he’s angry by the way he “yanks” the lid off and “jams” a spoon into the container. (Side note: Always replace adverbs with strong verbs when possible. When chosen carefully, these strong verbs will set the mood you’re trying to establish.)


Are you starting to see how action beats can be far more effective in showing than dialogue tags?


Here’s another example of what NOT to do:


“I’ve never been good enough,” Sarah mumbled sadly.


What’s wrong with this example?


First, the statement she makes—that she’s never been good enough—can stand on its own. The reader will most likely pick up the hint that she means this in a sad way, not in an enthused way.


Let’s rewrite this in a way that shows that the character mumbled this “sadly”:


“I’ve never been good enough.” Sarah’s words were mumbled, and her head lowered as she stared at the big red F on her report card. Tears welled in her eyes, blurring the ink.


Why does this work better?


Again, this rewrite invites the reader to step into the scene. The action beats don’t interrupt the flow of the story, and the reader understands that the character is sad. How does the reader reach this conclusion? Through her dialogue, mumbled words, body language (head lowered), tears, and props (red F on the report card).


The other reason we want to avoid dialogue tags in our fiction is because it could result in choppy dialogue.


Here’s an example:


“Why are you here?” Ben asked. 
“Because I want to be,” Jessica said. “Is that a problem?” she asked. 
“No, I just thought you might have plans this morning,” he said. 
“I canceled them,” she said. “Besides … maybe I wanted to spend my day with you.”


What’s wrong with this example?


Not only is this dialogue smoother, but as the reader, I have no idea how the characters are saying this dialogue. Are they angry with each other? Sincere? Sarcastic? Or is Ben happy that Jessica is there?


Now, the easy way to fix this would be, of course, to add adverbs. For example:


“Is that a problem?” she asked sarcastically.


But again, this is weak because it doesn’t invite the reader deeper into the scene. It relies on the adverb to tell readers that she asked this sarcastically.


So, let’s rewrite this dialogue in a way that shows and doesn’t come across as choppy:


“Why are you here?” A furrow creased between Ben’s brows. 
“Because I want to be.” Jessica took a step closer to him, fidgeting with the chain on her necklace. 
Ben couldn’t help himself—the lightness in her voice, and the brief smile she flashed at him, stole his breath. She tilted her head at him and said, “Is that a problem?” 
“No”—he couldn’t fight the smile slipping onto his lips—“I just thought you might have plans this morning.” Why was his heart racing so fast? 
“I canceled them.” She stood in front of him now and reached for his hand. “Besides … maybe I wanted to spend my day with you.”


Why does this work better?


Not only is this dialogue no longer choppy, but it also gives the reader greater insight into the scene and characters. Thanks to the action/expression beats, the readers can now understand that the two characters aren’t angry at each other; in fact, they were flirting with each other. The first example didn’t exactly give that impression.


Notice that I used Ben’s POV interior monologue to give more insight into his heart/mind. (For example: “Ben couldn’t help himself—the lightness in her voice, and the brief smile she flashed at him, stole his breath.”)


You’ll also notice that the dialogue tag “said” was used; however, it was nearly invisible, wasn’t it? That’s how it should remain in our manuscripts. We should use them sparingly, carefully, and only when necessary. (It could actually be omitted in this example and we would still understand that Jessica was speaking.)


Summary:

When we use dialogue tags the wrong way in our writing, we rob our readers from having a “fictive dream” experience. This is the experience that comes when readers forget they’re reading a book and are swept into the lives of the characters.


When we write, we should pretend as if we’re allowing a movie to play on the screens of our readers’ minds. Movies rely on character’s body language, emotions, actions, and props to fill in the gaps between the dialogue. All of this shows what needs to be shown throughout dialogue rather than tells. (This includes subtext.)


The advantage we have as an author that filmmakers lack? We can go deeper. We can give our readers direct access into the heart and mind of our point of view characters.


So let’s use the tools we have—action/voice/emotion beats, description/props, exposition, and interior monologue—and weave these elements into our dialogue. Let’s erase all traces of telling by being intentional with our dialogue tags and using them the right way.




What’s your advice for writing effective dialogue tags? As a reader, do you find it distracting to read dialogue that uses too many dialogue tags? Let me know in the comments!



Tweetable:



How to Write Effective Dialogue Tags – Part 2: Showing vs. Telling #amwriting #writingcraft @TessaEmilyHall https://bit.ly/2qkefDE






Wednesday, April 4, 2018

How to Write Effective Dialogue Tags - Part 1: The Problem With Too Many

When reading fiction, dialogue tags help cue the readers in on which character is speaking. However, when a writer uses too many dialogue tags—and when they’re used incorrectly—the dialogue is being told to the reader rather than shown. If you use too many dialogue tags within your manuscript, you may risk coming across as an amateur to an agent or editor.


So how are readers supposed to know which character is speaking if dialogue tags should be avoided when possible?


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Here’s how: Writers should show who is speaking rather than tell the reader who is speaking. They should also show how a statement/question is spoken rather than telling them how it was spoken.


In movies, the viewer does not need dialogue tags. Why? Because they’re shown which character is saying what. They also know how they’re saying it.


The dialogue tags should be almost invisible in our manuscripts as well. In other words, our characters should be so alive in readers’ imagination that they, in a sense, forget that they’re reading a book. However, this effect is impossible to accomplish if we use a dialogue tag for each line of dialogue. Those dialogue tags are constant reminders that practically scream to the reader, “This scene isn’t really happening; it was only written by the author!”



Rather than telling the reader that the character said something “angrily”, the action/emotion beats we use should bring the reader to that conclusion. By doing this, we’re inviting the reader to use their imagination rather than telling them how they should imagine the speech being spoken.


It’s okay to use dialogue tags sparingly within your scenes—especially when it’s unclear who is speaking. When necessary, we should use the tag “said”. The word “said” tends to be invisible to readers. By doing this, we'll allow the scene to continue unfolding before their eyes without bringing attention to the dialogue tags. We never want to bring attention to dialogue tags, as this is an interruption to the story and its flow.


However, too many dialogue tags in a row—even the word said—can come across as choppy. When dialogue is choppy, then the scene can no longer play out like a movie in the mind of our readers. To avoid this, we should weave in other fiction elements into our scenes to make it come to life, such as description, interior monologue, action/emotion beats, and exposition.


For every writing rule, there are always exceptions. Although editors will advise that you stay clear of dialogue tags, it is occasionally okay to use the following: 

  • Asked 
  • Shouted 
  • Mumbled 
  • Whispered 
  • Muttered 


 Why? Because these dialogue tags are almost invisible, just like said tags. They’re simple and often necessary. When used sparingly, these tags won’t distract from the scene that takes place.


So how is it possible for us to write effective dialogue tags that, 1) don't distract readers from the scene, and 2) show rather than tell?


We'll discuss the answer to this question in next week's post.


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Have you ever been distracted by too many dialogue tags in a book? Is it a struggle for you to write effective dialogue tags in your manuscript? Let me know in the comments!



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