What is YA fiction, and how can we write it in a way that connects with today's youth culture? I discuss the answer to this question and more in this episode of Firsts in Fiction (one of my absolute favorite writing podcasts)! Check it out above. Let me know if you have any thoughts or questions in the comments!
Showing posts with label YA fiction. Show all posts
Showing posts with label YA fiction. Show all posts
Wednesday, September 12, 2018
Wednesday, August 1, 2018
#ReadCleanYA - Guest Post by Teen Author, Taylor Bennett
I’ve read books before that I love—like, really, really love. Books like The Kite Runner, that introduce me to an entirely new culture. Books like The Book Thief, that make me laugh and cry and—oh, did I mention?—bawl my eyes out. Books like…
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While I love books like those mentioned above, I rarely never endorse them because…there’s some seriously bad stuff in them. Not that I’d know what, exactly (I’ve read copies that have the inappropriate scenes/words blacked out 😉) but I know it’s nothing very good.
The few times I’ve had the audacity to pick a book off the YA shelf at a bookstore, I’ve been gravely disappointed. I once had the immense displeasure of having to throw a brand-new hardback in the garbage after reading the first chapter.
And yes.
I know what you’re thinking.
Did I really have to throw it in the trash?
Yes.
Yes, I did.
Honestly, you couldn’t have paid me to get me to give that book to anyone else. It was that bad—and I’m not just talking about the plot and prose.
Sooo…what’s a girl with a heart for the Lord and strong convictions to do? I certainly can’t give up reading altogether, and, sadly, the contemporary YA genre (my favorite!) is filled with stories that leave a reader feeling scummy. It isn’t unusual for me to leave a bookstore in a sour mood after paging through several of beautiful new YA releases, only to have my innocence affected in the process.
The Narrow Shelf
You know that shelf—the tiny one at the back of the store? The one that’s so easy to overlook? Yes, I’m talking about the Christian fiction shelf.
Somehow, in our age of acceptance and inclusivity, bookstores have decided to nearly obliterate their selections of clean and Christian reads in the name of carrying books that appeal to a more progressive audience.
So, in their effort to reach more people, they’re actually turning away some of their most faithful readers.
And that makes me…
Sad.
As Christians, we are called to be set apart, to not let the sin of the world seep in around the edges of our holy and sanctified lives. And that is why my heart breaks every time I hear about the “newest and coolest” book, song, or TV show. Because, more often than not, it’s not something the Lord would want me to be a part of.
But then…if we are to be in the world but not of it, how do we, as obsessive bookworms, find enough books to satisfy both our unique thirst for story and our desire to stay pure in mind, body, and spirit?
That is why I challenge you…
#ReadCleanYA
Did you know that the #ReadDiverse has more than fifty thousand posts across Instagram? #ReadCleanYA has…four.
But what if this wasn’t the case?
What if we—as word-loving, heart-guarding children of God—began to raise awareness for the books we love. The ones that don’t harm our souls or lead us down a narrow path. The ones that speak to our heart, encourage us when we’re weak, and put a smile on our face. The books that deserve to be recognized as the pure, lovely stories that they are.
It can be done.
I know it can.
So let’s try it—you and me and all of the other amazing, clean-reading bookworms out there today. Let’s #ReadCleanYA, and let’s make sure the whole world knows. Use the hashtag, spread it around like sunshine and sparkles. Showcase your favorite books and talk about how they touch your heart and your soul for the better.
Share books that point to Jesus, and books that are just good, clean fun. Let’s help each other out by showcasing the books that speak to our hearts in this way.
(Because, let’s face it—we always want to add to our TBR, and what better way to do that than to fill our to-be-read stack with beautiful, pure, and wholesome books?)
Who’s with me?
If you’d like to join me in my quest to raise awareness for these kinds of books, chime in with a comment below or post to your social media accounts using the hashtag #ReadCleanYa.
Let’s start a clean-read revolution!!
PS—Here’s a list of some of my favorite clean YA reads, in case you could use some inspiration:
- First Date (and the other two books in the series) by Krista McGee
- This Quiet Sky and To Get to You, both by Joanne Bischof
- The Thing With Feathers by McCall Hoyle
- Unblemished by Sara Ella
- The Lost Girl of Astor Street by Stephanie Morrill
- Salt to the Sea and Between Shades of Gray by Ruta Sepetys
- The Mother-Daughter Book Club series by Heather Vogel Frederik (Okay…these start out as MG books, BUT they “grow” with the characters until everyone is leaving for college at the end of the last book.)
About Taylor:
Homeschooled since kindergarten, Taylor Bennett is the seventeen-year-old author of Porch Swing Girl, which will be released by Mountain Brook Ink on May 1st. When she’s not reading or writing, Taylor can be found playing her violin or taking walks in the beautiful Oregon countryside. She loves to connect with readers via her author website, as well as Facebook, Twitter, Instagram (her favorite!), Pinterest, and Goodreads.
Links:
Porch Swing Girl back cover copy:

What if friendship cost you everything?
Stranded in Hawaii after the death of her mother, sixteen-year-old Olive Galloway is desperate to escape. She has to get back to Boston before her dad loses all common sense and sells the family house. But plane tickets cost money—something Olive gravely lacks.
With the help of Brander, the fussy youth group worship leader, and Jazz, a mysterious girl with a passion for all things Hawaiian, Olive lands a summer job at the Shave Ice Shack and launches a scheme to buy a plane ticket home before the end of the summer.
But when Jazz reveals a painful secret, Olive’s plans are challenged. Jazz needs money. A lot of it. Olive and Brander are determined to help their friend but, when their fundraising efforts are thwarted, Olive is caught in the middle. To help Jazz means giving up her ticket home. And time is running out.
Tweetable:
Wednesday, March 28, 2018
What’s the Difference Between Writing Style & Voice?
When we think about our favorite books, the stories that have gripped us most are the ones that have connected with us. Sure, the plot could’ve been gripping. The characters may have been likable and well rounded. But if the book lacked a distinctive and compelling voice, then I doubt it would’ve made an impression on us. Why is this?
Because it’s the voice that carries a story through to completion. An author uses his/her unique writing style and combines that with the character’s voice to keep the story moving forward. A well-captured voice is the foundation that all other elements of fiction should be planted on—description, dialogue, exposition, etc.
For writers of young adult fiction, voice is especially an important skill to master. Teen readers tend to gravitate toward YA fiction that portrays authentic and compelling voice that authentically reflects their youth culture, angst, and language. If we can hone and capture voice, then we’ll bridge the gap between the reader and our main character.
But what’s the difference between writing style and voice?
There are some writers who like to weave in heavy description throughout their scenes. Others, however, prefer to construct scenes that are bare-boned and action-packed.
Your writing style is defined by the unique way you utilize fiction mechanisms to unravel your story.
Voice, on the other hand, might differ from book-to-book. Why? Because it should reflect the book’s mood, as well as the point of view and language of your main character. This voice is captured within the interior monologue since it reflects the interior commentary of your character. But it shouldn’t stop there. This voice should also be reflected in description, exposition, characterization, etc.
To help you better grasp this concept, think about your closest friends. If you were to ask each of them how they spent their weekend, not only would you receive a variety of responses, but each response would vary in language and speech. Your friends don’t all sound the same, and neither should the point of view characters in each book we write.
What factors play into the construction of a voice? Here are a few…
Really, everything your point of view character has experienced can contribute to their distinctive voice.
Are they sarcastic? Do they like to crack jokes? Then allow their humor to be reflected in their voice. Or perhaps they’re intelligent and serious. If so, be sure that the voice stays true to these qualities. Maybe this character would be more likely to use bigger vocabulary words in his/her voice. And if your character is an introvert, then that can be reflected through incorporating more interior monologue throughout the book and weaving in the character’s thoughtful reflections into the voice.
Sure, we might have an impressive writing style. We might understand what it means to “show instead of tell” and write poetic descriptions. Yet if we fail to flesh out the unique voice, then editors and agents are not as likely to take a chance on our story. It’s our job to craft a voice that stays true to the tone of our book and can remain strong and consistent throughout the duration of the story.
What’s the Difference Between Writing Style & Voice? #amwriting https://bit.ly/2pL4SvF @TessaEmilyHall

Because it’s the voice that carries a story through to completion. An author uses his/her unique writing style and combines that with the character’s voice to keep the story moving forward. A well-captured voice is the foundation that all other elements of fiction should be planted on—description, dialogue, exposition, etc.
For writers of young adult fiction, voice is especially an important skill to master. Teen readers tend to gravitate toward YA fiction that portrays authentic and compelling voice that authentically reflects their youth culture, angst, and language. If we can hone and capture voice, then we’ll bridge the gap between the reader and our main character.
But what’s the difference between writing style and voice?
There are some writers who like to weave in heavy description throughout their scenes. Others, however, prefer to construct scenes that are bare-boned and action-packed.
Your writing style is defined by the unique way you utilize fiction mechanisms to unravel your story.
Voice, on the other hand, might differ from book-to-book. Why? Because it should reflect the book’s mood, as well as the point of view and language of your main character. This voice is captured within the interior monologue since it reflects the interior commentary of your character. But it shouldn’t stop there. This voice should also be reflected in description, exposition, characterization, etc.
To help you better grasp this concept, think about your closest friends. If you were to ask each of them how they spent their weekend, not only would you receive a variety of responses, but each response would vary in language and speech. Your friends don’t all sound the same, and neither should the point of view characters in each book we write.
What factors play into the construction of a voice? Here are a few…
- Age
- Gender
- Personality
- Worldview
- Time period
- Setting
- Culture
- Influences
- Intelligence
- Attitude
- Values
- Life experience
- Genre of book
- Tone/mood of book (and each individual scene)
Really, everything your point of view character has experienced can contribute to their distinctive voice.
Are they sarcastic? Do they like to crack jokes? Then allow their humor to be reflected in their voice. Or perhaps they’re intelligent and serious. If so, be sure that the voice stays true to these qualities. Maybe this character would be more likely to use bigger vocabulary words in his/her voice. And if your character is an introvert, then that can be reflected through incorporating more interior monologue throughout the book and weaving in the character’s thoughtful reflections into the voice.
Sure, we might have an impressive writing style. We might understand what it means to “show instead of tell” and write poetic descriptions. Yet if we fail to flesh out the unique voice, then editors and agents are not as likely to take a chance on our story. It’s our job to craft a voice that stays true to the tone of our book and can remain strong and consistent throughout the duration of the story.
How would you define the difference between writing style and voice? Do you find it difficult to capture the unique voice of your protagonists?
Tweetable:
Friday, July 7, 2017
Book Spotlight, STEALING LIBERTY by Jennifer Froelich
But when Reed, Riley and a few others start reading the old books they find in tunnels under the school, they begin to question what they are taught about the last days of America and the gov-ernment that has risen in its place.
Then the government decides to sell the Liberty Bell and Reed and his friends risk everything to steal it – to take back their history and the liberty that has been stolen from them.
Excerpt:
My escort pushes me. “Pick up the pace, kid.”
I stumble on a sharp rock and cut my toe. It hurts more than it should and I pull up to face him, fists curled at my side. I’ve grown about a foot since my sixteenth birthday, which means I can stare him down, eye to eye. He just smirks.
How about I smash your nose?
For a minute the urge is so powerful, my pulse pounds against my throat and red spots blur my vision.
Don’t do anything stupid, Reed. Pick your battles.
The voice in my head is my dad’s, so I listen.
We climb aboard a rusty hybrid bus parked in front of the bombed-out terminal. “Welcome,” says the autopilot. It’s one of the retro models, formed like a human, with LED eyes and every-thing. When magnetic tracks were first installed, citizens didn’t trust computers to maneuver ve-hicles safely along roadways. At least that’s what my grandmother told me. Humanoid pilots were designed to make them feel safer.
Pretty soon, people had more important things to worry about.
My escort takes a seat behind the pilot, but I keep going. Only one other passenger is on the bus — a girl with long blond hair who sits in the fifth row, pressed against the window. Bruises swell on her left cheekbone and along her jaw. Her lip is crusted with blood and her right eyelid is swollen shut. Nausea washes over me, along with fresh anger.
“Sit!” our escort barks.
The girl flinches. I take a seat across from her and shift toward the window. The door squeaks closed and the bus lurches forward.
We travel on an old freeway so desolate, we don’t encounter a single other transport. I wish I was calm enough to sleep — so numb to the government’s strong-arm tactics, they no longer get to me. Instead I stare past the landscape and try not to shake. Try not to relive my nightmare or think about how it felt to wake up with a gun to my head. I imagine a different outcome. Fighting back — or breaking out of the state home before they showed up.
If only.
Book Links:
Friday, February 3, 2017
Introducing Illuminate YA Fiction, New Imprint of LPC Books {Searching for teens & young adults!}

Tuesday, November 29, 2016
YA Book Spotlight, "The Decision" by L.K. Kuhl
The Decision’s made.
The
choice is simple. Or is it?
The guests are invited. The cake is all set. In just a few short hours Sophia Bandell will be saying “I do” to a guy she isn’t sure she loves. But where does she go from here? She feels her life is headed in a downhill spiral. Her first and real true love, Tate Forester, is a ghost. But he’s the man she wants to be with…the one she can’t live without. Sophia is faced with the toughest decision of her life. Does she forget about Tate and marry the egotistical lawyer, Aaron Stuart? Or does she take the plunge and join Tate to be with him for eternity?
Sometime through the night, Tate’s kisses woke me. They landed on my cheek like a soft sigh. He began on my cheek and traveled down my neck, resting delicately on my shoulder. But each one felt like he was snuffing out a candle flame. I knew that this would be the last time I’d ever feel him again. He was telling me goodbye in the gentlest way he knew.
I held in my sobs but couldn’t stop the silent tears from sliding down my cheeks. They spilled to my neck and pooled there in the deep, hollowed indent above my clavicle. Tate kissed them away, and wiped a wet strand of hair from my face.
“Don’t cry. I was hoping I could slip away without waking you. I need to go. Aaron will be home soon.”
My throat ached. I grimaced and tried to swallow away the soreness, but it had its claws dug in too deep. There was no way to release it, to ease this massive tumor that kept growing inside of me each time it was time to say goodbye.
“This is the end, isn’t it? Your kisses told me everything you can’t say. So do your eyes.” “It has to be. It’s time.”
L.K. Kuhl is the author of the Young Adult
Paranormal Romance Series, The Everlasting Trilogy. The Decision is book two of
this trilogy. She has also penned Chasm, a Romantic Suspense novel. Chasm was
released in May of 2016.
L.K. lives in Nebraska with her husband Gene of
twenty-nine years, young son, Nathan, and Greg and Will, their furry dog kids.
She has two older daughters, Morgan and Brittani and son-in-law, Trevor. L.K.
has been writing for over twenty years. She first began writing children’s
books and poetry, moved on to writing music, and is now writing Young Adult and
Adult novels. She loves spending time with her family, vacationing, writing,
reading, and taking long walks. It’s the characters who write their own stories
in her novels, and she is just their messenger, sharing it with the world.
Website: http://kuhlreads.com/
Author
Facebook Page:
https://www.facebook.com/kuhlreads
Twitter: https://twitter.com/lynettehoff1
Pinterest: https://www.pinterest.com/lynettehofferbe/
Amazon Author
Page: http://www.amazon.com/-/e/B01BXDJGIY
Instagram: https://www.instagram.com/l.k.kuhl/
Blogger: http://kuhlreads.blogspot.com/
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